‘Dhoom Tana’ in Om Shanti Om presented Deepika Padukone with the actors of the yesteryears. We got Red Chillies’ VFX team to explain the process.

Stage 1
The team had to locate the original footage of the films they had short listed. The three song sequences appeared in Amrapali (1966, Sunil Dutt and Vyjayantimala), Saccha Jhutha (1970, Rajesh Khanna and Mumtaz) and Jay-Vijay (1977, Jeetendra and Jayashree T). Not always in the best condition, the original footage had to be scanned, carefully restored and cleaned up to the best possible quality on the computers.

Stage 2
Keeping in mind, the set of the films, the camera angles and the lighting, Deepika Padukone was shot in present dressed in similar costumes as the yesteryear actresses to further enhance that ‘70’s look. She pretended to dance with the actors by romancing an imaginary hero.

Stage 3
The original actresses, i.e. Vyjanthimala, Mumtaz and Jayashree T. were removed from the sequences. All this of course, was done with the help of the Red Chillies’ VFX (visual effects) team. Sequences where the camera was moving and the actors were in contact were specially chosen, so as to provide opportunity for Deepika to dance along with them as opposed to posing. Things to note were the eye contact between the actors, physical touch, lighting continuity, perspective matching, skin tones matching, color matching, etc.

Stage 4
Deepika’s footage was pasted in place of the actual actresses’ footage. The technical term for this is ‘compositing’. Thus, it seems that she has been locked in the same frame as legends, Sunil Dutt, Rajesh Khanna and Jeetendra. The song truly was a treat to watch. And now some of our wonder and amazement has been satisfied. Keitan Yadav, COO of Red Chillies VFX asserted that the idea was to give a feel of the era and is glad that they seemed to have succeeded.

He adds that “there are about 200 additional shots in the film where VFX is used like the snow-flakes in the globe, SRK and Deepika turning real and dancing in the globe, the Mother India fire sequence, Shantipriya’s death sequence and the climax sequence.”

Image Courtesy: 'The Making of Om Shanti Om' published by Om Books International

Screen India

I did so myself! The moment one flips through the pages and greedily tastes a sound byte here, a picture there and a quick read somewhere in the middle of the book, you know that it would be hard not to enjoy reading the book. The expectations level are at an all time high in these few minutes itself; something which is akin to watching a full length theatrical promo of a big Bollywood blockbuster film and anticipating it's arrival on the big screen soon!

Thankfully, all the high expectations are met in totality, hence making it truly a collector's delight which can be find a place in your book shelf at least for one lifetime. No pun intended!

This one is no regular/usual behind the scenes kinda book! What you want to read are the quotes you haven't heard before in the 'hazaar' interviews by the cast and crew in the past. What you want to see are the pictures that have already not been seen in the film's promotional brochure. What you want to lend your ear are some gossips/tid bits/grapevine that have already not made it to the 5-scoops-a-day-tabloids. What you want to know are the actual hassles which took place rather than 'working in the film was like a picnic' or 'we were all as one big family'!

And guess what, you get all of this and more! So let's talk about that 'more' first. It is this 'more' which gives a definite edge to the book hence making it stand out as the one that would enthrall not just the followers of Bollywood cinema but also those who want to lay hand on that something extra. It is that extra about dedicated chapters on 'Junior Artists' and 'Reincarnation', ably titled 'Reflected Glory' and 'Borne Again' which makes you visualize the book differently.

To Mushtaq's credit, even though such write ups may have risked being drag/boring/depressing, he makes them quite entertaining. He gets into details like different brackets of junior artists being called for when it comes to a hotel or an airport or a marriage scene or a village setting. He divulges how different junior artists also get classified with different rate card for different scenes. That's not all, if you walk in and walk out of a frame, your pay packet is different from what you would if you are required to be drenched in rain. Interesting!

'Borne Again' is spooky yet exciting. Mushtaq does a little bit of research and Googling to find narrate some high profile cases of reincarnation in India that had made headlines some years back. And for some more information about real life imitating reel, find out what Shah Rukh Khan himself was in his last birth. The research says he was legendary dancer and actor Sadhana Bose! Read the book to know more.

50% into the book and you know that Mushtaq is a smart writer. He deftly handles various portions of the book and provides each of them a different flavor. So while some of the chapters have a core literature look and feel to it, others are told in light hearted tone. This is not all as there is imaginative writing coming into picture as well with one of the stories being told from an Assistant Director's point of view, the other has Mushtaq himself in a conversational mode with the film's crew while one of them is written in a screenplay mode. Easy for the writer since he is also one of the screenplay writers for the film Om Shanti Om.

However, the best is reserved for what perhaps has anyways been hailed as the best part about the film. The 31 star song, 'Deewangi Deewangi'. This is the place where Mushtaq lets his creative instincts get the better out of him as sets the stage with him and his Income Tax consultant looking at all the stars in awe as they take their places and shoot for the song.

Quite funny and one of the lengthiest write-ups, it has some great humor interwoven into the text since Mushtaq demonstrates how a civilian (that's how he calls a star struck fan who seldom gets a chance to see his idol in flesh and blood) reacts to all the glamour around. In one way, the write up seems to be his own alter ego coming into fray with an IT guy just being an excuse to be placed as a character into the story!

If the writer deserves accolades for his detailed work in the book, Ashish Pathak and Jochen Manz, the designer and photographer respectively, deserve full marks for their work too. They come together to make 'The Making of Om Shanti Om' a glossy fare which changes texture with every chapter boasting of a different layout, different font, picture placement and color combination. With no dull moment whatsoever as you flip page after page, it is hard not to hurriedly finish the content on one page (a lot of it on every page) and move on to the next to see what's in store.

Any blemishes in the book? Yes. What could have been one flawless fare is hampered due to the fact that there are some astonishing spelling/grammatical mistakes in the text, especially during the initial chapters. Some basic punctuation errors turn out to be quite alarming, as well as surprising, because one expects nothing but an impeccable product when it comes to a book for one of the most prestigious films of the year. Also, the writer has some reputation to maintain, especially having multiple books on Bollywood to his credit and hence it is disappointing when some glaring gaps like not just sentences but even paragraphs repeating at more than just a couple of instances!

Anyways, ignoring all of this, one is bound to cherish this book which continues to celebrate the book even after it's release. It is a must read at least once and though hardcore film buff may not mind having a second read too, at least the pictures would make most refer the book multiple times. The moment you lay your hand on 'The Making of Om Shanti Om', it's hard not to exclaim 'wow'! Yes, you do expect ton loads of content and some exclusive behind the scene information to be unveiled in this Mushtaq Sheikh book but all of that is expected once you start turning over the pages.

Before that it's the book's cover (yes, this time around the saying of 'never judge a book by it's cover' is proved untrue), styling and overall packaging that makes you plan for three spare hours and find an isolated corner pronto to enjoy an uninterrupted, undisturbed and concentrated reading of this book which turns out to be as entertaining and as blockbuster material as the Farah Khan film has been in itself!

Farah Khan has made an interesting statement - "I think the only crime in movie making is to bore your audience". Well, Mushtaq Sheikh follows the same theory for his book too and the results are there for all to see.

Rating: ****1/2

Some of the interesting facts that are brought to fore in the book:

Farah wanting more boobs on frame by junior artists and not being obliged

Detailing of the most loved Filmfare awards sequence

Farah Khan's cheeky comment - "I guess he didn't want a hit film to his credit" - after
Dev Anand refused to be a part of 'Deewangee'

All 31 stars greeted with 'Oh, you are looking fabulous' cry with none being aware about the prank being played on them

One tight slap by Farah Khan on a couple of crew members.

Goofs around 200 people being dressed in a 70s look when the scene required contemporary setting

Trick behind making the studio sets look burnt when in actuality they were not

The story behind 'Ek Chutki Bhar Sindoor'

Vivek Oberoi turning down role that went to Arjun Rampal

and last but the not the least

The Legend of The Condom Man!

Joginder Tuteja, IndiaFM

A journalist-scriptwriter, Mushtaq Sheikh has the distinction of having written three books on Shah Rukh and/or his projects - 'The Making of Asoka', 'Devdas - The Indian Hamlet' and his most recent 'SRK - Still Reading Khan'. He has now written a book on the making of the film titled "The Making of Om Shanti Om." Also, if sources are to be believed, the book would be arriving in foreign languages as well. On the eve of the book's release, Joginder Tuteja catches up with Mushtaq Sheikh who talks about the idea behind the film, certain interesting episodes in the book, exclusive photos of Shahrukh and a lot more.

When and how did the idea for writing this book originate?
When I was writing the film with Farah the idea came to me. I discussed this with Farah and Shah Rukh and both gave me the go ahead signal. I decided to write the making. The fact that I was working closely on the film gave me the push start to take up the idea. I was going to the have the all access card for the film, so I thought I would multi task and write a book too. Anyway writing a book on a film is always challenging and for a film like Om Shanti Om it becomes even more daunting. The whole process of shaping, a movie being made - into words sets my adrenaline racing. And the way the book has shaped up, I think we have hit the bull's eye.

How did you go about preparing for it?
When you write a book on a making of a movie, all you have to do is to keep all your senses alert and sharp. Eye for detail, eye for the not so detailed - all should be finely attuned. All this simply because one has to get the reader there - Right where the movie is being made. I always feel that for writing a book about movies one should love the art form. One should breathe, sleep and burp movies; I am one such creature. Movies are my G spot.

What could possibly be the most interesting episodes in this book?
The most interesting part of the book certainly will be the chapter 'Borne Again' - a chapter on re-incarnation. Its an interesting chapter where I am touching on reel and real understanding of re-incarnation. The chapter has thrown some interesting insights of the stars and the technicians...and for further details you will have to read the book itself.

After already done three books with SRK like 'The Making of Asoka', 'Devdas - The Indian Hamlet' and 'SRK - Still Reading Khan', how much scope remains in this new book to touch upon his off-screen persona?
After my books on SRK, there is no scope for anyone to write anything about SRK for that matter. Three books quite cover everything I hope. Jokes apart this book is about the movie Om Shanti Om. Its about Om the character, not Shah Rukh Khan. If you want off screen stuff about SRK, pick up 'Still Reading Khan'.

SRK fans would surely be lapping up on this book. What do you have to give to those who are not (of course a far lesser number)?
If you are not a SRK fan, then you must have seen at least one Hindi film. And by any luck if you have seen even one Hindi film then you should pick the book up. Because as I said earlier this book is a celebration of the movies. Just like Om Shanti Om is. A movie that celebrates movies and movie people. And to make things even spicier there is re-incarnation. What more could one ask for? And if nothing else works for you, there is SRK with yummier ab photos exclusively done for the book.

Joginder Tuteja, IndiaFM